Friday, October 19, 2007

George Saunders and "The Braindead Megaphone"

A lot of books I read are just OK, so it's like a lovely little gem when I read one I really, really love. That was the case with The Braindead Megaphone by George Saunders. Here's my short review for the books page:

Saunders' unique aesthetic carries over to his first book of journalism, The Braindead Megaphone, where he reports on illegal immigration at the U.S.-Mexico border, the awesome greed and friendliness of international tourism in Dubai, and a meditating teenager in Nepal.

Saunders writes about American fiction like The Adventures of Huckleberry Finn and, quixotically, the young adult classic Johnny Tremain. His conception of narrative is as complex as a difficult fiction writer like David Foster Wallace, but his own writing style is marvelously direct, much like that of Kurt Vonnegut, whom he praises as a model. He describes Vonnegut's books as a sort of black box that readers enter. "The writer gets no points just because what's inside the box bears some resemblance to 'real life.' What's important is that something undeniable and nontrivial happens to the reader between entry and exit."

The nontrivial thing that happens with Saunders is we contemplate the big question he's trying to answer, something along the lines of, How are human beings supposed to live in the world? The final piece is a tongue-in-cheek press release from the organization People Reluctant to Kill for an Abstraction: "At precisely nine in the morning, working with focus and stealth, our entire membership succeeded in simultaneously beheading no one. At nine thirty, we embarked upon Phase II, during which our entire membership simultaneously did not force a single man to simulate sex with another man. At ten, Phase III began, during which not a single one of us blew himself/herself up in a crowded public place."

He concludes: "We, in fact, outnumber you. Though you are louder, though you create a momentary ripple on the water of life, we will endure, and prevail."

I like that the book was published directly to paperback, so it's not too expensive -- $9.80 on Powell's for goodness sake!
My mom asked me recently, "What's Powell's?" Well, it's online bookseller much like Amazon. But in my opinion they are more supportive of book culture than Amazon, so I'm linking to them more. Not that there's anything bad or wrong about Amazon, I just like Powell's better. And actually, I buy most of my books at Tampa's independent bookstore, Inkwood Books. Check out their cute little bookshop here.
So I was browsing at Inkwood and ran across the Believer Book of Writers Talking to Writers, featuring an interview with ... George Saunders! So I picked that up and I'm now looking forward to that too.
In fact, I'm looking forward to reading lots of the interviews. I'm surprised at how many I've read: Zadie Smith (loved On Beauty), John Banville (I picked The Sea for my book group before I left for Ireland), Ian McEwan (I read Saturday), Edward P. Jones (The Known World is probably the best American novel published in the last 10 years), Marilynne Robinson (Gilead might give "The Known World" a run for its money) and Haruki Murakami (how beautiful and trippy was Kafka on the Shore?). OK, I'll stop now. You get the picture.
Now I know what else you're thinking. Spoonreader, look at this long post you've created on a Friday morning! Well I've got a new computer with wireless, so la la la la (singing and skipping). Perhaps this will increase production here at spoonreader.com.

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