The Movie of Us

I recently reviewed The Movie of Us, a collection of poetry by Kevin Jeffery Clark. The book has an interesting back story; I wrote about it here.
Excerpt:

The Movie of Us captures a cinematic landscape of language. The poems are scenes sketched out in the cool blues and grays of a lake photographed just after sunset or just before dawn.

I attended a poetry reading last night; Clark's brother, Michael Klein, read his poems. It was quite touching.

The Glass Castle and The Road

I read The Glass Castle right before I read The Road, so that's two books about pitiful starving children in a row. Meanwhile, the next book group pick is Love in the Time of Cholera by Gabriel Garcia Marquez.

I also can't stop thinking about a bit from Cormac McCarthy's NYT interview, which I blogged about yesterday:

McCarthy's style owes much to Faulkner's -- in its recondite vocabulary, punctuation, portentous rhetoric, use of dialect and concrete sense of the world -- a debt McCarthy doesn't dispute. "The ugly fact is books are made out of books," he says. "The novel depends for its life on the novels that have been written." His list of those whom he calls the "good writers" -- Melville, Dostoyevsky, Faulkner -- precludes anyone who doesn't "deal with issues of life and death." Proust and Henry James don't make the cut. "I don't understand them," he says. "To me, that's not literature. A lot of writers who are considered good I consider strange."

His is a very purist view of writing. I admire his view, but I'm not sure I share it. It's a great point for debate, though.

More on The Road

So today The Road wins the Pulitzer Prize when I was just blogging about it yesterday. I did some more research on the book today, one interesting piece was from The Chicago Tribune about Oprah picking the The Road for her book club. The writer, Julia Keller, calls Oprah and author Cormac McCarthy "one of the oddest and most unlikely cultural pairings since Arthur Miller and Marilyn Monroe." She also reports on McCarthy's notorious aversion to the press:

Whatever McCarthy's motivation for agreeing to be on the show, it isn't money, say longtime observers of McCarthy's work. He turns down speeches, awards, teaching gigs and other familiar trappings of the contemporary writer's life, preferring to live in the desert Southwest and do his work. Like literary recluses such as J.D. Salinger and Thomas Pynchon, McCarthy is more familiar through his absence than his presence.

Read the whole article here.

I also found this longer, more definitive profile of McCarthy from when he gave a rare interview to the New York Times in 1992. You can find it via the previous link or on the NYT's Cormac McCarthy page here.

Oprah's Pic: The Road

I read Oprah Winfrey's current book club pic this weekend: The Road, by Cormac McCarthy. I can't remember the last time I read a book this disturbing. A man and his young son are on the road, traversing a post-apocalyptic landscape (nuclear war? meteor strike?) and hiding out from other survivors bent on rape, murder and cannibalism.
If that sounds austere, it certainly is, but the writing is elegant and convincing. I can't get some of the grimmer scenes out of my head.
I would say the pick is out of character for Ms. Oprah, but one of the things I like about Oprah (and I do like her) is that she usually has a surprise up her sleeve. So it's not out of character in that sense.
The Oprah web site says that Cormac McCarthy is going to give her his first television interview. I'm sure the chance to reach the massive Oprah audience is to tempting to pass up. (Only one author ever did, I think.)
Maybe I'll think of something more profound to say upon further reflection, but right now all I can do is shake my head in disbelief over the power of The Road.

Kurt Vonnegut, RIP

Slaughterhouse-Five is one of the great anti-war novels, maybe the best in American literature. My eighth grade English teacher used the book to teach World War II to us Catholic school girls, which seems smartly subversive to me now. I need to find a copy and re-read it.
It begins like this:

Listen: Billy Pilgrim has become unstuck in time.

Then it tells about Billy's serving in World War II and surviving the bombing of Dresden; his postwar life in the suburbs; his capture by aliens and being taken to another planet.
After reading that book, I went ahead and read all the rest of his books before I graduated high school; I loved them. He was the first adult author who I read pretty much all of his work. The obits (read the NYT one here) have been mentioning Cat's Cradle and God Bless You, Mr. Rosewater as his major works, but I always preferred Breakfast of Champions, which has sly illustrations of human anatomy and features the trials of his alter-ego, science fiction writer named Kilgore Trout.
Later in life, Vonnegut defended civil liberties and librarians.
Kurt Vonnegut died yesterday. So it goes.

The dreaded "twee" appellation

My book group is preparing to discuss Eat, Pray Love: One Woman's Search for Everything Across Italy, India and Indonesia by Elizabeth Gilbert. I really liked it -- I've been a fan of Gilbert's ever since I came across her distinctive chatty-but-smart magazine stories in GQ years ago. This book is a memoir Gilbert's emotional recovery from a painful divorce. Her solution is to seek pleasure worldwide by eating in Italy, praying in India and finding balance in Indonesia. It's a clever premise, and in the end the book moves beyond her divorce to her spiritual maturation as a complete woman. Her writing is a joy -- breezy, funny and modern. And I really liked the way she documented the hard-to-describe feelings of silent meditation.
But I fear my dear book group compatriot J. is not going to like it. I can hear her now, she will tag it with the dreaded "twee" appellation. What is twee? Twee is anything that J. considers too cutesy or precious or sweet or clever for it's own good. It's the opposite of J.'s most complimentary adjectives, which are -- can you guess? -- "ironic" and "dark" (and sometimes "sarcastic"). Other books we have read that J. said were twee are Winkie by Clifford Chase (a satirical memoir in which a teddy bear becomes ensnared in a terrorist plot) and The World to Come by Dara Horn (a cross-generational love story celebrating Jewish art and literature, hinged around a stolen Marc Chagall painting).
So I'm thinking up my twee counterarguments now.