Their story says Martel knows he it is a difficult subject:
"I'm sure people will say that it trivializes the Holocaust," he said, adding that the other danger in discussing the Holocaust "is universalizing it in way that removes its Jewishness."Read the whole story here while it's still available on the open Web.
But he believes the end is worth the risk.
"The Holocaust has to become part of the rough and tumble of everyday discourse -- as much as that might hurt the survivors," he said, adding quickly,"And I don't mean that as disrespect to them. But you have to realize that those discussing it are trying to find a way to understand it better so that it won't happen again."
Meanwhile, I recently picked up a copy of "The Facts Behind the Helsinki Roccamatios," Martel's short story collection. I've read the first story of the collection. It was very different from "Life of Pi," but has the same compassionate voice.
There's a beautiful passage where he talks about discovering his desire to write and what motivated his storytelling:
My developing sense was that the foundation of a story is an emotional foundation. If a story does not work emotionally, it does not work at all. The emotion in question is not the point; be it love, envy or apathy, so long as it is conveyed in a convincing manner, then the story will come alive. But the story must also stimulate the mind if it does not want to fade from memory. Intellect rooted in emotion, emotion structured by intellect -- in other words a good idea that moves -- that was my lofty aim. When such an emotive idea came to me, when the spark of inspiration lit up my mind like a bonfire, the charge was like nothing I'd ever felt.Read an excerpt here.
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